My work is steeped in archetypal and personal symbolism. Figures, houses, boats and pottery are all vessels to contain things we hold dear, and sometimes those things we would cast off. I chose these forms to work with because they have several levels of meaning I find intriguing to explore. The surfaces reflect my experience and attitude.
I love the idea of found objects, because of their wear and marks of their journeys. I see people in much the same way. When I go to a museum or a home and see these objects put into a special environment they are reborn. To accomplish this in my own work, I use a layering technique.
By using the figure as a three-dimensional canvas, the eye will travel completely around the surface. This helps to enhance the pattern or surprise in a story. Each piece begins on the potter’s wheel or with slabs. The pieces grow with the application of coils or additional slabs. When each piece is completed, I carve the surface and let it dry. The base color is applied and fired. Once the first firing is complete, I apply and wipe off a combination of terra sigilattas, slips, stains and glazes, then fire again. This process is repeated until I achieve the desired effect.
Since receiving my BFA from the Kansas City Art Institute in 1990, I have worked in the ceramics field in many capacities.
Presently I am represented by numerous galleries, teach many pottery classes, instruct workshops, sell at art fairs, and have been published in several ceramic periodicals. In 2000, my husband and I built my studio right outside our backdoor.
Life is good.